Science is a lie – the real theatre blog
Sunday, 23 August 2009
Performance review: Down-A
Down-a – In Beween Butoh Dance Company
Camden People’s Theatre, Euston
Agile, ethereal and completely disturbing; don’t go home alone after watching Down-a. This butoh performance involves two performers who simultaneously physicalise the ‘guilt of the human soul’. The show opens with white noise and a woman (Flavia Ghisalberti) straining backwards against a wooden chair, evoking the experience of ECT. Initially this seems slightly ludicrous, but, as with the rest of the performance, the image is so intense that our prolonged exposure to it makes it feel utterly real. As Ezio Tangini enters, repeatedly popping his shoulder out of joint, this visceral performance takes on an obscene quality.
Generating new thoughts in the mind of the audience is an obvious prerogative for many shows, and making them feel uncomfortable is one way to achieve this. However, staring into the eyes of those who have invested money to come and watch your performance, whilst whispering without words, is invasive and unnecessarily accusatory. Watching this engenders a feeling of self-loathing, as the performers unload their disgust onto you.
If fear is something you crave, then Down-a will more than satisfy you. Ghisalberti at one point becomes a possessed puppet, with quivering, half closed eyes. In the tiny space of Camden People’s Theatre, this is terrifying. In yet another amazing physical feat, Tangini riles, flails and bangs his head on the floor repeatedly. As he moves towards a light, the audience is reminded of its own hubris and the denigration of The Fall. Although well executed at every point, the audience leaves this piece self-flagellating, but not quite sure why. We are overwhelmed by our senses and an immense, incomprehensible guilt floods our reason.
Helena S. Rampley
Down-a runs as part of the Camden Fringe until Monday 24th August
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